View 223: Manned Spaceflight

Visited the Steven F. Udvar-Hazy Center near Washington Dulles International Airport which is the companion facility to the Smithsonian Air & Space Museum on the National Mall.  It houses one of the largest collections of historic air and space craft in the world.

The space shuttle Enterprise is the centerpiece of the James S. McDonnell Space Hangar at the National Air and Space Museum's Steven F. Udvar-Hazy Center in Chantilly, Virginia.

The space shuttle Enterprise is the centerpiece of the James S. McDonnell Space Hangar at the National Air and Space Museum's Steven F. Udvar-Hazy Center in Chantilly, Virginia. HDR Image.

Currently, the first space shuttle, Enterprise, takes center stage in the Manned Spaceflight exhibit.  I say currently as it will soon be replaced later this month by Discovery.  Enterprise was never launched into space as it was the glide and test vehicle.

I processed this HDR image to look more like an artist rendering might look like.

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Photo Bookmarking

Bookmarks for browsers is a wonderful concept. If you are like me you have hundreds of bookmarks in different categories and sub-categories.  When I am out photographing, I come across many good opportunities at the wrong time. The lighting might be bad. It could be the wrong time of day or year.  I might not have the right lens with me for the photo I want to take or am running out of time or light.

I still take the photo and make sure I do not delete it.  I probably will not take the time to process it but will add metadata to aid in searching.  The next step is to put the photo in a folder called ReShots. Think of it as my location for bookmarking photos I want to improve on or redo in the future. When I am at a loss for something to photograph or planning to re-visit a location, I will open this folder to look for photo ideas.

Next week I am returning to Washington, DC for a few days.  A quick search of the ReShots folder brought up this photo from 2008. At the time, the Lincoln Memorial was undergoing extensive construction to the front steps area.  Fencing was evident from any direction except right on the ramps leading up to the memorial.

Lincoln Memorial at night as seen from the World War II Memorial in Washington, DC.

Lincoln Memorial at night as seen from the World War II Memorial in Washington, DC. Nikon D70/18-200VR, 4s, f/16, ISO 400, EV -0.3, 150mm focal length, tripod.

I saw this composition when visiting the World War II Memorial and did not want to forget it, fence and all.  Weather permitting (and right now it is looking good), I should be able to reshoot this photo without the fencing next week.

On this trip, the big reflecting pool is being worked on and has been drained. Meaning this ReShots photo will have to wait for another time.  I wanted to get the whole Washington Monument reflected in the pool with better control of the exposure and shooting it earlier in the evening to get more color in the sky.

Washington Monument being reflected in the Reflection Pool in Washington, DC.

Washington Monument being reflected in the Reflection Pool in Washington, DC. Nikon D70/18-200VR, 10s, f/11, ISO 400, EV 0, 36mm focal length, tripod.

Oh, well, next time! From what I hear, Washington is always under construction.

I am planning on blogging from Washington, DC if the hotel Internet connection will permit it.  I might even try to post from my iPhone.  If you are on Twitter, I invite you to follow me @sthomasphotos for photos and interesting commentary over the next week.

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Assignment 18 Recap

As I stated when I announced this assignment, everyone has their own idea or ideas as to what makes up an abstract photograph.  Some of you took to this like a duck to water.  Others, like me, had no clue when they started and feel-ed their way through it.

All in all, we had 21 people submit links.  Thank you so much for participating!

Oh, one last piece of business before I share my thoughts of your work.  Gerry of Torch Lake Views was selected in the random drawing and won Nature & Outdoor Photography by Brenda Tharp.  I will be in touch soon, Gerry!

The newlywed from Ireland, Simone, broke a record as to have fast someone could contribute to one of my assignments. Her unfocused view of a forest reminded me of looking through glass during a rainstorm.

Gerry from her Writing Studio and Bait Shop shared a slide show of grass images which she took to their most simple structures and shapes.  Created a very modern artistic feel to them.

I never thought cardboard could like so stunningly beautiful until Carsten did his magic in a slideshow of images he created.

A new contributor, Brian, used off camera flash to highlight interesting and brightly colored patterns he found in a playground.

When does a mud puddle turn into art?  When Amy Lynn comes across one on one of her walks during late winter in Nova Scotia.

What caught my eye in Robin’s abstract photos was the color and textures of the leafs she focused in on.  Green can be a shocking color after a winter of white (or drab browns) and her photos got me to craving the color and the touch of a leaf.  This happened just before all the early blooms of the last two weeks.

Betsy (aka Starbear) shared two links but I want to talk about the flickr photo.  To me her photo of a natural formation looked very unnatural.  You would think it was man-made.  The simplicity of its shape, lines and shadowing point to nature as a person seldom stops there.

Take a restaurant ceiling and add a creative photographer named Nora and you get a Space Wheel.  The colors and textures beyond the wheel put one into outer space.

Brigitte submitted two links. The first was about flowers and, while they are nice, her second post blew me away. Now I know what to do with outdated technology!

Colette contacted me about using her Phanfare link.  After seeing it, I said, “Please, do!”.  It is a very mesmerizing image one could get lost in.

I enjoyed reading through Larry’s abstract post as he went about deciding what was an abstract photo to him.  I really liked all of them (including the pattern photo) but the finger painting one is my favorite.

Now we come to the person who inspired this assignment.  Isa’s photographic eye was able to find many kinds of artist looking subjects even as she is recovering from a recent health issue.  Thanks again, Isa, for the idea!

Even though this winter has been lacking in white, it has been very drab.  Must be why I am really enjoying the plant abstracts like the one Debbie shared with us from her trip to Florida.  The motion abstract is cool, too.

Laurie MacBride shared with us a set of wonderful abstract photos on flickr.  I particularly like the ones of the beach.  She also has a very interesting and lively blog called Eye on Environment.

I love a good tradition.  Karma and a few of her friends meet at a favorite place to have lunch each year.  Even the name sounds abstract, Pickity Place, where she found a few very interesting natural abstracts.

I think most people do not think of patterns as abstract.  I beg to differ.  Barbara shows us an amazing pattern abstract and swirls and reflections and a cool app to create even more kinds of abstracts.

I knew this assigment was going to be tough for a few of you.  It was for me.  I like how Dawn went about it.  She went looking and started photographing things normally she might have not.  Working with various subjects.  I think she did well and will get better.  I do think she needs to get closer. Give that a try, Dawn.

Truels nailed the technique I was trying to do in my post (see link below).  He panned his camera over a familiar subject and created an image which breaks it up.  Leaving colors, lines and patterns where there was none before.

I read about abstract photography and felt more comfortable using a couple of motion techniques and one photo using my iPhone and special effect app to create three abstractions.

Tracy has a good eye for macro compositions which take us into the surreal using real things. I felt like I had taken a fantastic voyage after visiting her post.

Nye got in just under the wire with her take on abstracts. She got in close and used shallow depth of field with her camera’s lens to focus on everyday objects in a new and, yes, abstract way.

Not making the cut off was KanniDuba (KD for short) but she decided to share her photos with us anyway.  I, for one, am glad she did. She challenged herself not to use a macro setup and found abstractions in the bigger world.  Oh, and KD, I always start and end my assignments on a Wednesday. 🙂

This assignment was chock full of outstanding photos and images and I wish I could set up a gallery for all of them to show the world.  I will be back in May for the next moving assignment.

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View 222: Field Trip to a Soda Pop Plant

C’mon boys and girls, it is time to collect  your permission slips, hop on the bus and take a class field trip.  Today, we are going to visit a soda pop plant which makes among other flavors, Pepsi Cola.

In these large stainless steel vats the ingredients for Pepsi Cola is mixed.

In these large stainless steel vats ingredients for Pepsi Cola is mixed with thrice filtered water and carbonated before being pumped out to the filling stations. Nikon D700/Tokina 11-16mm, 1/250s, f/2.8, ISO 1250, EV 0, 16mm focal length.

Put on your safety glasses, hair nets, ear plugs and, if you have one, beard nets.  No jewelry like watches, earrings, necklaces or bracelets are allowed.  Watch your step as it can be slippery in places like the mixing room where large stainless steel vats are used to blend the ingredients of products like Pepsi Cola.

When the Pepsi is mixed and aged, it is pumped out to the filling machines.  Stand clear now,  canning machines like this one fill 1,000 cans per minute and spin very fast.

Filler machines fill 1,000 cans per minute.

Filler machines fill 1,000 cans per minute of Pepsi Cola. Nikon D700/Tokina 11-16mm, 1/80s, f/6.3, ISO 6400, EV 0, 16mm focal length.

After being filled, the cans get their pop tops put on at the same speed as the filler machine.

Soda can pop tops loader slide.

Soda can pop tops loader slide go through sleeves of 10,000 tops once every 10 minutes. Nikon D700/50mm, 1/60s, f/1.8, ISO 640, EV +0.7.

Cans are now assembled into various kinds of packaging.  On this day, they were placed into Fridgemate packages of 12 cans each before traveling by conveyor belt back to the warehouse.

Fridgemate packages of Pepsi Cola head to the warehouse via conveyor belt.

Fridgemate packages of Pepsi Cola head to the warehouse via conveyor belt. Nikon D700/Tokina 11-16mm, 1/250s, f/2.8, ISO 6400, EV 0, 16mm focal length.

Machines called Palletizers are programmed to build three dimensional puzzles of products onto wooden or plastic pallets and wrapped in sheets of plastic.  Each different type of packaging has their own pre-defined number of rows per pallet.

Forklift operators pick up two pallets at a time and place them in designated locations in the warehouse.

Pallets of Pepsi Cola Fridgemate packages are lifted off the production line.

Pallets of Pepsi Cola Fridgemate packages are lifted off the production line and placed in the warehouse. Nikon D700/Tokina 11-16mm, 1/250s, f/2.8, ISO 1400, EV -0.7, 16mm focal length.

Within a few hours or days, depending on the product, loaders will pick up the pallets based on orders from the plant’s distributors.  The pallets are loaded onto trailers which travel all over upstate New York.

Two pallets of Pepsi Cola being loaded onto a trailer.

Two pallets of Pepsi Cola being loaded onto a trailer. Nikon D700/50mm, 1/250s, f/1.8, ISO 1100, EV +0.3.

The plant is owned and operated by independent soda distributors who over forty years ago saw the value of controlling the production process to keep costs down and be able to provide quality soda products to their customers.

I hope you enjoyed and learned something from today’s field trip.  If anything, the next time you purchase soda or other liquid refreshments, you will have some idea of the path it took to be in your refrigerator.

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Illuminations Imagination

Traditionally, Friday is the day photographers on the Internet post firework photos. Who am I to argue with tradition as I enjoy going through all the wonderful Abstract photos posted to this month’s assignment.

Journey into Imagination's Reverse Waterfall as Illuminations fireworks explode overhead.

Journey into Imagination's Reverse Waterfall as Illuminations fireworks explode overhead in Epcot, Walt Disney World, Orlando, Florida. Nikon D700/Tokina 11-16mm, 8.6s, f/9, ISO 400, EV 0, 16mm focal length, tripod, 3-stop ND filter.

I setup a tripod across from Journey Into Imagination’s famous reverse waterfall, controlled the shutter manually and put a 3-stop (0.9) Neutral Density filter on the Tokina 11-16mm f/2.8 UWA lens to take this photo.

Have a grand weekend everyone!

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