HDR Strikes Back!

There I was facing a photographer’s nightmare. A great subject in late afternoon Sun causing deep shadows on one side and bright light on the other.  A range of “stops” I knew my camera was never designed to capture.  Then I remembered my previous work in High Dynamic Range (HDR) photography and looked the nightmare in the face and took this set of photos.

HDR set of three photos taken at -2, 0, +2 exposure stops.

HDR set of three photos taken at -2, 0, +2 exposure stops.

I faced the AT-AT right out of a Star Wars movie at Disney’s Hollywood Studios’ Star Tours attraction in Walt Disney World and knew I had gotten what I needed to defeat the extreme light conditions.  My blaster being Photomatix by HDRSoft to merge the three photos together and produce the image I saw.

The AT-AT protecting the entrance to the Star Tours attraction at Disney's Hollywood Studios in Walt Disney World, Orlando, Florida. Image produced by Photomatix from the three photos above.

The AT-AT protecting the entrance to the Star Tours attraction at Disney's Hollywood Studios in Walt Disney World, Orlando, Florida. Image produced by Photomatix from the three photos above.

Now, where did I put my Lightsaber?

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Balance

A Canada goose balances on one leg on the Webster Pond ice near Syracuse, New York.

A Canada goose balances on one leg on the Webster Pond ice near Syracuse, New York.

It’s been a year and a half since I published Why do Birds stand on one leg? and it continues to garner about two views a day.  Any time I see birds standing on one leg, I tend to pay more attention since it is a topic searched and read daily on this blog.

Another question which came to my mind is: “How do birds stand on one leg?” The Canada goose pictured here is resting.  He might even be sleeping in the warmth of the sunshine after days of cold January weather.  Why doesn’t he fall over? It didn’t take me long to find the answer.

Professor Reinhold Necker has published some interesting articles on bird behavior.  One of them goes specifically into how birds stand on one leg.  Long legged birds like flamingos and herons have a locking mechanism in their knee joints to securely keep their legs straight when standing on one leg.  Shorter birds like ducks and geese, rely on several systems: the inner ear, muscles and joints and an additional sense organ found in a bird’s vertebrae.  This sensory organ works directly with the bird’s legs to help it balance when performing tasks like preening while standing on one leg.

Our feathered friends continue to amaze me on how they have adapted to do things I could not do for longer than a half a minute (maybe!).  Yet, they do it effortlessly for long periods.

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View 109: On Webster Pond

Ducks fill the sky over Webster Pond in Syracuse, New York, after being startled by a visitor to the park.

Ducks fill the sky over Webster Pond in Syracuse, New York, after being startled by a visitor to the park.

Taking advantage of a warm and sunny January day, I visited Webster Pond just south of Syracuse, New York, to photograph the waterfowl who call it home.  I wanted to try and capture the faces and grace of the ducks and geese.

Portraits of some of the residents of Webster Pond.

Portraits of some of the residents of Webster Pond.

Webster Pond has hundreds of Canada geese, Mallard ducks and domestic geese gone wild.  People come daily to feed them with various mixes of seed and corn.  I saw families with young children enjoying the afternoon feeding the waterfowl.  The smiles on their faces and sounds of their laughter I hope nurture a love for wild creatures in the generations to come.

Mallard ducks flying over Webster Pond. Taken with the Nikon 80-400 VR lens.

Mallard ducks flying over Webster Pond. Taken with the Nikon 80-400 VR lens.

Ducks can fly.  The gift of flight Man was so jealous of, he created machines so he could join the ducks and birds of the world in the great blue yonder.  Ducks beat there wings very fast unlike the long beats of bigger birds like Canada geese and raptors.  When coming in for landings on water or ice, as Webster Pond was mostly covered in, they glide and pitch from side to side to slow down and angle for an open area devoid of others.  Their landings in water ending in a long splash.  Their landings on ice a much more comical slide often ending on their behinds but always popping up on their webbed feet with dignity.

I used the Nikon 18-200mm VR and Nikon 80-400mm VR lenses to bring you these images.  Though the 80-400 VR is an older and slower focusing lens, with practice it can be used for fast moving subjects like birds in flight.  It does need very good light in order to do so like my day on Webster Pond.

Posted in Animals, Nature, Weekly View | Tagged , , , , , , , , , , , , , , , , | 23 Comments

Snow Photography

Welcome to my first Friday post dedicated to photography.  This is in keeping with my stated goal I talked about last week.  Here we go…

In the last few weeks, I have received some inquiries on how I get my snow to look white.  With my latest assignment dealing with the color, White, I thought this would be a good time to write about snow photography.

Camera light meters are designed to expose for middle gray.  If you are surprised by this fact, this will go a long way in explaining why you are getting gray snow and not white snow in your photographs.  By the way, this tip works for white sandy beaches or any landscape or object which is predominately white in color.

A couple of years ago I went out early one morning to photograph the first snowfall of the season.  I stopped by my favorite tree in a field and started composing.  Here is one of the first shots from that day.

Tree in a field of gray snow.

Tree in a field of gray snow.

Ugh…after a few minutes, I checked the photos in my camera’s LCD screen and got some pretty gray snow landscapes.  You see, my meter was doing exactly what Nikon’s engineers had told it to do.  When faced with a large white subject, it meters a middle gray color.  I can not be mad at my camera for doing its job as programmed.

Luckily, we are much smarter than a light meter in a camera.  To properly expose for snow, you have to allow more light through the lens to compensate for the camera’s meter.  You can do this a couple of ways.  First, you can manually change the aperture or shutter speed (but not both).  You do this by using Aperture priority mode to open up one or two f-stops (smaller aperture numbers) or using a slower shutter speed in Shutter priority mode like moving from 1/250th of a second to 1/125th (+1 stop) or 1/60th (+2 stops).  The second and much easier way is to use your camera’s Exposure Compensation adjustment button (or dial) to “dial in” added exposure of +1 or +2.  If you don’t know where your Exposure Compensation, or EV, button is, check your camera’s manual for its location.  You know where the manual is, right?  It’s the book still in the box your camera came in. 🙂 Just kidding!

Here’s the same scene after I changed the EV on the camera from +0.0 to +2.0.

Tree in a field of white snow.

Tree in a field of white snow.

Big difference, eh?  This can be kind of unsettling at first.  If you look at the LCD on the “blinky” or histogram screens, you will see you have drastically overexposed the shot.  Don’t worry, when you pull it into your favorite photo editor, all will look just fine.  You might have to adjust a few hot spots.

This tip is mostly for those of you who use digital SLR or advanced Point & Shoot (P&S) cameras where you can control aperture, shutter speed and exposure compensation (EV).  For those with P&S cameras, look for a mode or scene setting for snow and/or beach scenes.  Those should work to make your snow white again.

Remember, each camera is different so go out and experiment.  Find yourself a snow covered scene and put your camera in aperture or shutter priority mode and start with an EV of 0.  Take a shot, change the EV to +1.0, +2.0 and then +3.0 and see which one looks best.  That way the next time you have a beautiful snow scene or white tropical beach in front of you, you will know what to do.

If you have any other tips for photographing snow or other white scenes, leave me a comment.  If you wish to share your “white” masterpieces, check out the photography assignment post on this blog.

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Assignment 5: WHITE

I was thinking about using winter for this assignment and then it occurred to me that might be limiting to some.  White being the predominate color in winter does make for a suitable topic for all.

What will you do with “white”?  Indoors, outdoors, studio locations?  Contrast it?  Highlight it? Subtle or bold? Color or B&W treatment?

Since I am doing these assignments every other month, I am giving you more time to post your photos which I would like you to go out and photograph this time. Be creative and have fun!

A white landscape in the Theodore Roosevelt National Park near Medora, North Dakota.  By shooting at an angle away from the sun, the sky washed out and blended into the Badlands.

A white landscape in the Theodore Roosevelt National Park near Medora, North Dakota. By shooting at an angle away from the sun, the sky washed out and blended into the Badlands.

As in the other assignments, do not send me your photos. What I would like you to do is post them on your blog, flickr or other photo sharing site, personal website or any other place on the Internet where you can place a link to it here by making a comment to this blog entry. Then we can visit those sites and learn what we did with the color, White.

Please, have your photos posted by Wednesday, February 3, 2010. Don’t have a place to post? Might be a good time to start up a blog or join a photo community like flickr or Exposure. As I do for all Assignments, I’ll put together a recap with my comments.

If you have any questions, leave me a comment and I will be happy to answer them. By the way, I would really appreciate it if you would help spread the word about this so we can get lots of people to participate. Thanks!

Posted in Assignments | Tagged , , , , , , , | 72 Comments